How to Set a Mix Bus Compressor: In Detail
- Start with a slow attack (maybe 50-100ms) and fast release (maybe 0.2 to 1.0ms).
- Set your ratio to anywhere between 1.5:1 and 4:1.
- Ultimately, you’ll want to bring down the threshold so you’re that you’re compressing by anywhere from 1-4 dB during the loudest sections.
How do you use SSL G compressor?
How to Use the Waves SSL Compressor
- Access the plugin via your ProTools TDM or native VST / DirectX audio application.
- Set the Compressor Ratio.
- Set the Compressor Threshold.
- Set the Compressor Release.
- Set the attack.
- Set the Fade controls.
- Set the Make Up Gain.
When would you use a bus compressor?
Bus Compression is the act of using a compressor on the master output to create a uniform sound for the entirety of a mix or master. Bus compression is often used in mixes and masters to create a cohesive and overarching timbre for the recording.
What makes a bus compressor different?
The distinction is quite blurry but a “buss compressor” is usually designed to deal better with “complex signals” like entire (sub-)mixes and it has some features (sometimes visible sometimes not) making it less prone to pumping and other artifacts when e.g. a loud kick drum dominates the mix etc.
How does a SSL compressor work?
The original SSL G Bus Compressor uses a voltage control amplifier (VCA) to compress the signal, as well as a VCA-enabled detection circuit to adjust how the compressor is applied. The signal going into the compressor is split into two feeds. The first feed goes to the VCA for compression, which is the audio we hear.
Should you use compression before mastering?
Compression in the mix should always be done for getting the sound you want, helping things sit in the mix better etc, never with the goal of making it louder. If you try to make the tracks loud with compression, you’ll have a glassy sounding mix that can’t be made loud. It just can’t handle the extra processing.
Should you compress a bus?
Adding a small amount of compression to your mix bus chain can take your mixes to another level. When done correctly it can add more excitement and cohesiveness as it controls the dynamics of the mix. It helps to “glue” your tracks together. You don’t even need a special compressor to do it!
Should I use compressor or limiter?
As a general rule, you use compressors on individual instruments and busses. If your vocal track is too dynamic, you wouldn’t want to put a limiter on it. The strong ratio of a limiter would squash your vocal too much, making it sound unnatural.
How do I apply the SSL native bus compressor?
When first applying the SSL Native Bus compressor, start out by selecting a Ratio, and then set the Threshold. Now don’t get too excited if it sounds loud and in your face. This might be fun at first, but you always want to be sure to retain the dynamics. Dynamics keep a listener engaged and interested.
How many decibels does the SSL G-Master Buss compressor attack?
“ I normally use the SSL G-Master Buss Compressor very lightly: attack around 3 or 10, a release of 0.1 and never exceeding 3 decibels of compression. ” “ The Waves SSL G-Master Buss Compressor has been something I’ve used daily for the last 10+ years.
What is a G Master Buss compressor?
SSL G-Master Buss Compressor. Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
What is the SL 4000 G Master Buss center compressor?
Prized by top engineers for its ability to “glue together” tracks, the SL 4000 G master buss center compressor is ideal for taming piano dynamics or adding punch to drums and percussion. Now, the ultimate finalizer that transforms a mix into a finished record can be yours – in the box. Perfect for tightening up final mixes
