What is Nicolas de Staël known for?
Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles.
Who is the artist in the painting De Staël?
At the time this painting was composed, de Staël was part of the Second School of Paris, a loose-knit group of abstract artists working in Paris after the Second World War associated with but not limited to the output of Tachiste artists such as Jean Fautrier.
What happened to Jean de Staël?
The vibrancy of de Staël’s work, and the success he was already achieving by the mid-1950s, makes his early death all the more puzzling and poignant.
What is the origin of Madame de Staël?
Anne Louise Germaine de Staël-Holstein (French: [an lwiz ʒɛʁmɛn də stal ɔlstajn]; née Necker; 22 April 1766 – 14 July 1817), commonly known as Madame de Staël (/də ˈstɑːl/ də STAHL, French: [madam də stal]), was a French woman of letters and historian of Genevan origin whose lifetime overlapped with the events of the French Revolution and the
Nicolas de Staël (French: [ni.kɔ.la də stal]; January 5, 1914 – March 16, 1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. online.
Why did de Staël sign a contract with Paul Rosenberg?
De Staël signed with Paul Rosenberg partially because Rosenberg was French and because he was an important New York art dealer who showed many Cubist painters whom Nicolas de Staël admired. By the end of 1953 the demand for de Staël’s paintings was so great that Paul Rosenberg raised his prices and continually requested more paintings.
Why is de Staël important to art?
De Staël’s work was quickly recognized within the post-war art world, and he became one of the most influential artists of the 1950s. However, he moved away from abstraction in his later paintings, seeking a more “French” lyrical style, returning to representation (seascapes, footballers, jazz musicians, seagulls) at the end of his life.
How did St Agnes de Staël meet Paul Rosenberg?
Visiting the United States in 1953 de Staël and Francoise visited MoMA, the Barnes Foundation in Merion, Pennsylvania and various other important institutions. After returning to Paris, de Staël met visiting New York art dealer Paul Rosenberg who offered de Staël an exclusive contract.
